Many tanks Melanie for sharing your reaction to Andrew’s guest post as well as your own art journey so far and your hope to implement Andrew’s colour blocking ideas!
Go live the dream again!
]]>Hi Joseph, thank you so much for your lovely appreciative comment! I’m sure Andrew will love hearing it too 😁
]]>I also LOVED his demo Mary. I hope Ruth can find and share that video!
]]>Thank you so much Gail for hosting Andrew McDermott on How to Pastel.
And Thank you Andrew- this is just what the Dr ordered.
I’ve always been detailed and sensitive in drawing and skumbling loosely when painting. With pastels I’m still finding my feet and leaning more towards painfully careful painting. Painting fairly quickly from life during then31 day challenge has been good for me.
Point two- colour blocking – I have to try that (I say as I complete a line drawing for my current painting #1 of a series. I’ll try working without a line drawing for my second attempt.)
I’ve seen people using this method for painting in oils and I’ve been wondering if it would work with soft pastels. Face palm – why didn’t I just give it a go? I have done colour blocking with a loose sketch but not totally line free.
Looking forward to allowing my next painting to emerge naturally.
Thank you Andrew.
Every morning the first thing I see is the (print) painting of a flamenco dancer that gave me the dream to paint when I was a toddler. it is bright bold and expressive. I need to live the dream again.
Yes – that gorgeous colour for the underpainting!!
It’s interesting about the texturing. It’s easy to do in paint but because there is less coverage by pastel. one might not think of using the same tools. And yet, Andrew makes it work! I am keen to give it a go too Mary!
Agreed – about him making it look easy, about his fabulous marks, about paintings full of like and action! I’m curious about the video you saw Ruth. If you still have the link, feel free to add it here.
]]>Whoo hoo!! That’s so awesome to hear Morag!
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